Raymond Tuifao Lalotoa
Lalotoa’s life mission is to convey hope and a positive vibe through his art, to overcome pain with explosions wrapped in a soulful tornado of colour to inspire new feelings of peace, love and a new understanding of our collective humanity.
Medusa and the Flowers
Raymond Tuifao Lalotoa Interview
Where did you grow up, and when did you come to Australia? How did this influence your creative career path?
I was born and raised in Newtown, Wellington, Aotearoa, New Zealand. My family also lived in a small town called Porirua (home of the peanut slab) before we migrated to Australia when I was 13. As far as its influence on me creatively goes, art was my escape from what was happening around me, I had a pretty chaotic upbringing. From a young age I used my imagination to create an alternative existence for myself. I’ve read that this has been the experience for many artists. A lot has happened since I was that lil kid scribbling furiously inside every book I could find in my parent's bookshelf. But when I’m making art, I’m still that same kid looking for an escape. But don’t get me wrong, I’m not the ‘wounded artist’. I actually find a lot of strength and inspiration from my crazy childhood. As far as I know, I carry no war wounds.
Your artwork often explores pop culture, displaying comical and hopeful messages with characters and vibrant colours. What draws you to these topics, and what influences your choice in subject matter?
I learnt the art of compartmentalising everything I see from a young age. Every experience and every moment are in a colour coded Google Drive folder in my head. Whether it’s an object, watching a film, meeting someone new, hearing a song or even seeing a colour (especially colour), I automatically jump to a memory and from that gathered information I sift it through to create a narrative that allows me to bring a story to paper or canvas. I never overthink my art process or stand in the way of an idea. And I never sketch, I just go straight to it. It’s a bit risky, but I feel this strange wave of nostalgia like I’m at battle, fighting next to the many artists who have passed before me. Weird right? I’ve also read about artists feeling similar feelings. Must be some artist gang related DNA thing. Haha! The process of making art is immensely freeing and very important to me. I watch movies, scroll through my phone, look at art books and wait it out. Pop culture, news and memes seem to be good catalysts for random waves of inspiration for me. We’re pretty lucky to have that kinda access to inspiration. Sometimes a song will send me on a Google excursion, and then I end up finding out who wrote a song and how it made its way from idea to hit.
For example Thom Yorke from Radiohead once talked about how he had recorded this bass riff for the song MYXOMATOSIS. He held onto it and showed it to the band years later. But then you’ll go on a Radiohead band forum and still today everyone's arguing over who wrote the bass riff. I just love paying attention to weird facts. And if it’s interesting it usually makes its way to a painting. But with me, I ended up making a whole art show based on Radiohead. So ideas are always floating around, and you don’t want to start ideas with me, because I’ll be the guy who is hanging around trying to finish it two years later. I’m a nightmare. LOL
How does your Samoan heritage influence your artistic practice?
I’m very proud of my Samoan roots, and it’s always informing me in many ways, not just in my art but in my life. I always remember that my parents left an island in the pacific in search of a better life only one generation ago. So the realisation that I am pretty lucky to be here is always present for me. I show gratitude for the gifts of making music and art. And being Samoan mixed with my crazy upbringing all play a big part. The flowers, Samoan text and zigzag lines usually find their way onto my paintings, which I hope everyone sees it as a shout-out to the people of Samoa.
Is there a through line with your musical expressions and your artistic expressions?
100%. A lot of my art is based on music and a lot of my music is based on art. I think the correlation between the two is endless, and I’m always happy to mix it all together. I love it when someone sends me a DM saying that they liked the Frank Ocean or Radiohead connection to a painting that I did. You don’t come across music connected art every day, but when I see it, I’m always happy to know that other artists love music so much that they express it in their art. I follow a lot of art / music artists on Instagram. It keeps me connected and inspired by a language which I see as an important art form.
Lalotoa’s life mission is to convey hope and a positive vibe through his art, to overcome pain with explosions wrapped in a soulful tornado of colour to inspire new feelings of peace, love and a new understanding of our collective humanity.
Bondi based RAYMOND TUIFAO LALOTOA is a proud Samoan Artist whose family migrated to the Western Suburbs of Sydney from Wellington, New Zealand at age 13. Following High School Ray escaped suburbia to the city to study fashion design. He eventually joined a band to
pursue his passion for music and art.
With 6 independent solo shows since 2013 Lalotoa has earned a reputation for his mixed media works which explore his fluency in urban and cultural pictorial languages. His art which is never pre-planned is a raw collision of the Sydney underground scene, politics, music and poetry with Lalotoa’s Pacific Island heritage creating a strong graphic language utilising a hypnotic colour palette.
Lalotoa’s works take the viewer to a place that is not quite reality; an eye-blurring Wurlitzer of words and abstracted events competing for space on the canvas, which are usually mostly found objects from the street. Giving his canvas a second life, subliminally representing his religious upbringing and doing something for the environment where his ghettofied tumultuous world dares the audience to decide whether the images are cheerful or controversial, asking questions? or looking for connection.
Ray’s work is spurred on by the world around him; the news, his love of music, fashion, New York culture and sometimes a singular word. Lalotoa’s art gives a nod to artists who have used messaging as a visual, Ray is not afraid to bring past tribes into the 21st century.